About

Konrad Kania is a passionate freelance composer, sound designer and guitar teacher with a broad range of creative and technical abilities.

He started his music adventure by learning guitar artistry at the age of 10. In 1998 he founded rock band Antares. In the following years he was searching for his own artistic expression, drawing from various music genres. In 2011 he completed the Audio Institute Of America course in Recording Engineering And Music Production and in 2019 he graduated from Pulse College Dublin in Music Production For Games.
His portfolio includes music for theatre performance “The Maids” by Made-Up Theatre Company, “Jack Kairo And The Long Hard Kiss Goodbye“, documentary project ‘Story of My Radio’ for Dublin City FM/120/h, online game “Dibbles 3- Desert Despair” by Armor Games as well as mixing and recording of tibetan bowls and gongs-new age music for Kings of the Wind, among others. He is involved with Polish Theatre Ireland since 2010 as musical director and main composer and has designed music and sound for the shows such as Scent of Chocolate (Focus Theatre, 2010), Chesslaugh Mewash (The Lir Theatre, Absolut Fringe 2011), Delta Phase (Theatre Upstairs, 2012), Bubble Revolution (Theatre Upstairs, 2013) and The Passengers (The New Theatre, 2015) being the last so far. His YouTube channel has attracted over eight million views and a lot of appraisal.

Konrad combines talent and creativity with hard work, to offer professional audio services for video, games, film production, commercials and other. If you have any questions or comments please feel free to contact Konrad anytime.

Music

To listen to samples of Konrad’s work in media music and film scoring, please browse the music selection below. The current playlists features work from multiple projects for film, theatre and television soundtracks.

Live Stats Anywhere

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Beautiful User Interface

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Projects

Under Construction....

Credits

GAMES

30 RETRO/SYNTHWAVE TRACKS

BOXING – FIST LEGENDS

DIBBLES 3 – DESSERT DESPAIR

Alpha Gaming, Harris Heller

Ricreator

The Podge

2020, Composer/Producer

2019, Composer/Producer

2012, Composer/Producer

FILM & THEATER

JACK KAIRO

INTROS & JINGLES

THE BUBBLE REVOLUTION

CHESSLAUGH MEWASH

THE MAIDS

THE SCENT OF CHOCOLATE

Simon Toal

Music Dublin

Polish Theatre Ireland

Polish Theatre Ireland

Made- Up Theatre

Polish Theatre Dublin

2015, Composer/Sound Designer

2014, Composer/Producer

2012, Composer

2011, Composer

2010, Composer

2010, Composer

ALBUMS

SERENITY

SOUL SECRETS

TIBETAN GONGS AND BOWLS

Kings Of The Wind

Ailani Therapy

Kings Of The Wind

2011, Producer/Session Musician

2011, Composer/Producer

2010, Producer/Session Musician

Reviews

I have known Konrad Kania from 2012 in my capacity as an actor and Artistic Liaison at Polish Theatre Ireland. Konrad worked with a company as a composer and sound designer on Chesslaugh Mewash (2012), Delta Phase (2012), and Bubble Revolution (2013, ongoing). I performed in all these shows and was also involved in the production side of Chesslaugh Mewash and Bubble Revolution. Based on the quality of his work, professionalism, and personal communication I would strongly recommend Konrad.
 
From an actor’s point of view, it is a privilege to work with a composer like Konrad. He respects the actor and the actor’s interpretation of their role and does all he can to support it. I always felt that the music he wrote for Chesslaugh Mewash, Delta Phase, and Bubble Revolution was another stage partner for me to engage with and bounce off. It is very special experience. From talking to the directors who collaborated with Konrad, I know their encounters with Konrad were also extremely positive. He is a composer that truly listens to the leading idea and views himself and his music as part of the collaborative team and mise-en-scène respectively. This is a rare quality. Working on the production side, I found Konrad to be extremely flexible, reliable, and generous with his work and time. It is also worth mentioning that Konrad’s music for Bubble Revolution got several compliments during the 2016 Edinburgh Fringe. Some spectators even explicitly asked where they can find his other work. This did not surprise me as I always found Konrad’s music to be of the highest quality.
 
Please do not hesitate to contact me if you have further questions.
I have had the pleasure of working with Konrad before on a theatre project to which he brought his vast skill set as an artist and added a whole new dimension to the work. It was exemplary and was much more than I asked for both as soundscape and as an original score. in the event of future projects Konrad would be my first port of call.
Simon Toal, Actor, Entertainer
The cooperation with Konrad Kania that had a place during the recital of mine and the pianist Dearbhla Collins on 30th of November 2015  in a National Concert Hall was absolutely great experience when it comes to it’s quality, involvement and general organization of Konrad’s work and help.
 
We didn’t know much about our musical past or work of each other while we first met  but I was suprised very positively seeing professional sound material that I was given very shortly after the performance. Konrad was recording our recital the other day. I would highly recommend his service to anybody interested at sound engineer’s work who’s friendly attitude, open mind for suggestions of others and simultaneously he is open for sharing his own ideas and comments according to the music subject.
 
Very well done, looking forward to future projects with Konrad Kania.
Agnieszka Ciupek, Opera Singer

Johnny Spot

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Harry McNinny

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Tommy Tallboy

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Guitar

100 Greatest Guitar Riffs Part 1

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Amazing App Features

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Custom Appearance

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Amazing App Features

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Mobile Shopping Cart

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Amazing App Features

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Guitar Backing Tracks

Easy Social Sharing

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Amazing App Features

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Video Integration

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Amazing App Features

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Push Notifications

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Amazing App Features

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Contact

If you have any enquiries, comments or should you wish to book an appointment with Konrad, please fill in the form below.

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